Click the 'X' at the top right corner to dismiss this window! The C-451 B retails at $549, or $1,250 for a matched stereo pair. The frequency chart looks as though the response should be relatively flat, with a small bump of about 1 or 2 dbs from 5,000 to 10,000. AKG Acoustics D 112 Cardioid Dynamic Microphone. Because such a wide variety of capsules and attachments were available, the specs in the table below are provided for the preamp body only. Link AKG Acoustics on Youtube. The bigger the deviation the stronger the effect. Did we get anything wrong on this page? The AKG Acoustics C-451 is also known as: C451C, C451E, C451. The AKG C 451 B microphone makes a great addition to any professional studio or recording setup. Joel Hamilton. A subsequent design, the “C-451 EB,” had a switchable high-pass filter, providing a 14dB/octave cut at either 75Hz or 150Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. Please let us know! A switchable highpass filter at 75Hz or 150Hz prevents low-end distortion. Deviations in different severities at different frequency bands have an effect on the sound character. C451 B REFERENCE SMALL-DIAPHRAGM CONDENSER MICROPHONE The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. These mics are available in computer-matched stereo pairs, known as the C451B/ST. AKG Acoustics C-451 Frequency Chart: Cardioid. The new capsule employs a 3-micron gold-sputtered diaphragm designed to be insensitive to handling noise. Pairs are selected from a large quantity of individual microphones using the described criteria. It is suitable for recording and live-sound applications as well as for ENG/EFP and video productions. The electronics and body were redesigned to be more rugged and reliable, to the extent that the modular-capsule system (which provided versatility at the expense of complexity and increased risk of damage to capsules, threads, and etc) was replaced by a fixed-cardioid capsule. AKG C 451 B Condenser Microphone Features: Cardioid condenser mic with outstanding transient response Frequency range 20Hz-20kHz Sensitivity 9 mV/Pa (-41dBV) Max. It is an electret design, according to MIX Magazine. Extremely accurate signal transfer and ruler-flat on-axis frequency response. (9 mV/Pa; 20 - 20,000 Hz), Precise, nearly frequency-independent cardioid pickup pattern, Extremely accurate signal transfer and ruler-flat on-axis frequency response. Precise, nearly frequency-independent cardioid pickup pattern. The AKG C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary AKG C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. Joel Hamilton. The formerly modular pads have been incorporated into the onboard electronics; a switch on the mic body provides a 10 or 20db pad (giving the mic an extremely high max SPL rating of 155 dB, which essentially means you can mic the loudest thing in the studio without fear of distortion). The AKG C451 B is suited to recording instruments such as drums, percussion and strings. A second switch on the body provides a high pass filter (aka bass roll-off), attenuating 12 dB per octave below 75 or 150 Hz (selectable). The SA 40 stand adapter and W 90 windscreen are included as standard accessories. AKG Acoustics D 112 Cardioid Dynamic Microphone. Such pairs are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode. The C 460 B was a transformer-coupled preamp from AKG’s “Condenser Modular Series” (CMS). Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Both mics are matched, with a maximum variance of 1 dB in their frequency response, and have identical sensitivity. The AKG Acoustics C-451 is also known as: C451C, C451E, C451. The AKG Acoustics C 451 B is also known as: 451B, C451B. The “CMS” (Condenser Modular System) series was discontinued in the 1990s, after which AKG redesigned and reintroduced what is now called the “C 451 B.”. Each C451B is a rugged, durable condenser microphone, best suited for applications where maximum accuracy, especially sound transients, is crucial, making this mic is a great choice for drums, percussion, and acoustic instruments. AKG K702. The C-451 B’s high-frequency lift is pleasing for acoustic guitar recording — much better than winding on a lot of EQ. The updated version of the C1000 S multipurpose small-diaphragm condenser microphone is extremely popular for its versatility. Because such a wide variety of capsules and attachments were available, the specs in the table below are provided for the preamp body only. The D112 is a classic large-diaphragm dynamic kick drum mic, with high SPL capabilities (160 dB). Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama. The “CMS” (Condenser Modular System) series was discontinued in the 1990s, after which AKG redesigned and reintroduced what is now called the “C 451 B.”. The AKG K702 is a modernised K701. Did we get anything wrong on this page? AKG Acoustics C 460 B Detachable-Capsule Pencil Condenser Microphone. Please let us know! Note that this basic design, including the 3-position pad and 3-position HPF, have been cloned in numerous competitive mics, such as the Feilo CR1-14, ADK SC-2. The D112 is a classic large-diaphragm dynamic kick drum mic, with high SPL capabilities (160 dB). The “C-451 E” had an XLR output. The original AKG C 451-C, created in 1969, was the company’s first FET condenser, and was a very successful product due in part to the great sound of the cardioid CK-1 capsule and the modular design of the microphone (which included pads, gooseneck and swivel extensions, plus 10 other capsules covering every polar pattern). Either way, the mic was AKG’s first FET condenser. AKG’s C-451 “Condenser Modular Series” (CMS) microphones remains a popular studio microphone despite having been discontinued since 1994. The AKG C-451 B reinforces my fond memories of using the venerable C-451 E with the same but improved sound, and without the old, impractical quirks. The C-451 preamp body accepted a variety of detachable capsules, extension tubes, and pads, making it a versatile performer. The “C-451 C” had a DIN connector. A subsequent design, the “C-451 EB,” had a switchable high-pass filter, providing a 14dB/octave cut at either 75Hz or 150Hz. The original [C451 + CK-1 Cardioid capsule] was notable for its treble lift, and this reissue is certainly similar in that respect… with a reduced treble response off-axis you are able to control the sound considerably by placement…. The D112 is awesome in big kicks… If you cant make it happen with a D112, you are the problem. Below an aid to help determining the sound character of headphones with relation to the frequency response. Based on the chart I wouldn't have expected somethign as bright as the character of this mic. Cardioid Link AKG Audio on Tumbler. With its airy sound, high overload limit and improved engineering details, the The D112 is awesome in big kicks… If you cant make it happen with a D112, you are the problem. If you are using a screen reader and are having problems using this website, please call (888) 452-4254 for assistance

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