%PDF-1.3 %���� 0000002437 00000 n A switchable bass cut filter and preattenuation pad enable the P420 to be used close to sound sources in sound fields as high as 155dB. Multi-pattern large diaphragm condenser microphone, - ON SALE - Offer Valid Until 27/11/2020. The general tonal character remains sensibly consistent between the three polar patterns, with a slight presence boost in the omnidirectional and figure 8 settings. Offering high sensitivity and 155dB maximum SPL, the P420 delivers a warm transparent sound quality ideally suited for ensemble recording, grand piano, woodwind and brass instruments as well as drums and percussion instruments. AKG. 0000012845 00000 n In terms of sound, the AKG P420 has an impressively flat frequency response and fairly neutral overall sound. 0000005533 00000 n ;��Y�Nv2����0��R��*R'�������5� �u�q]>�K��Z�[]��p�z��������� }�-��8�C��s��x_ [�S�� GJ�Q�(D�=� �+��!��q ��Z��9�Q�w��l����T�ư=��]!��η|d4�s����7�H���A�? 0000013002 00000 n In terms of sound, the AKG P420 has an impressively flat frequency response and fairly neutral overall sound. 0000006140 00000 n It comes complete with a spider-type shock mount in an aluminium carrying case. Permalink: AKG Acoustics P420. AKG PERCEPTION 420 3 1 Precaution/Unpacking 1.1 Precaution Please make sure that the piece of equipment your microphone will be connected to fulfills the safety regulations in force in your country and is fitted with a ground lead. 0000008332 00000 n H�b```f``�a`e``���π �@1v�!��$0nj+$�D���#�-g؅���z|T���e9�Y�7�3J'�+D0�mTa� �!��!���h�A���3O�c�-S$. The company claims that the frequency range of this microphone ranges between 20 Hz and 20 kHz. 0000006768 00000 n Microphone Parts The mod kit for the AKG Perception series microphones replaces the AKG capsule — a very peaky and harsh K67 type — with a more neutrally voiced K87. The frequency graphs for the Perception 100 and Perception 200 are identical, with flat response from 80Hz to 5000Hz, and a +2dB rise centered at 10kHz. H�TSɑ#1�O��%�V)��~u�x�T�|�!5��L�`��M�wA~T��i†�S8�L��\���J�Rr���߆��wC��͛���1Z�$�Y��R�-�&G��Lwղ�;.Is���+/5"�\��,odx��)�j�\9�����.YP)�c�8ɕM���Pε~�a���$&'{Uȳ�F-&^G�2�E"�{���8T�-m������)��XZ�̎�ԫ�\o��s��X{y�ڦ�7aX��0M ��Q;�����AhKZ��ZA>G/�� &�.�8ˉs*q�ʵ��,q�����J>+{R���}G�׫���q�[g�(����쁑 WX3�5�*i�Ņ��tb����xp��&��>��w��������*�������8. 0000005511 00000 n 0000002790 00000 n Wireless equipment is subject to permission as required by law. 0000004966 00000 n Its frequency-independent supercardioid polar pattern ensures maximum gain before feedback. The mic was released in 2014. ��wo��Q�1�}ӊ����,�9ap����'���U�7O�Sv�qp�ߓ=f_6��y�3�>�w�ԌR�T/��5)�B�ݛ3U���b�u3��{�y��ϝi�-D�U�������.�y���Km-r�L�z��p��ڙ���/���,g�9�����'��S=+�ٺ�O��=��k���h���}�SiK�G*�=�S�y���0��d��=���Y����k�1U�ܗ'�⬧�aTr�&�g��� �먼ȼF?o���n(K���s����I���������R�,_λg�;�������~�ީIo��0����zwO�sx���,�7+��{r��CG06���+: Zc�p@�+:� ��0-0�QPD3�����LJJ��0�� Both of these two models have a frequency response range of 20 Hz – 20 kHz, which is nice. This is what makes it such a workhorse and fit for so many miking applications. The D5 stands for a crisp sound that cuts through every mix. 0000007873 00000 n Frequency response is a measure of the magnitude of the output of a system compared to its input, as a function of frequency. For the best experience on our site, be sure to turn on Javascript in your browser. 0000001068 00000 n Note that despite the stated frequency range of 20Hz-20kHz, both the Perception 200 and 220 share a -3dB point around 50Hz. 0000010693 00000 n In addition, three selectable polar patterns – cardioid, omnidirectional or figure-eight – allow a wide range of stereo miking techniques and ambient recording. H��TK��0��b'/ңO�5T,(���l�c H�\S;�1��{��'��&�������Ǖ ,IA t��T�����pܿ/�Z�DvS.����r�����϶[h�G�M�� ���FKly���� B_��M�� �JF�h�>���W�o�U]m�l�MHr��j��� Link AKG Audio on Tumbler. Specifications /���M���|N�Ϥ���:�� ��+������Vv��!ӈ6��XE��3��%��XT����xh�ͭ���9�ᤞ����XA� 0000000971 00000 n 0000012923 00000 n Regionally available RF spectrum is subject to change. 0000001944 00000 n The AKG P420 is a multi-pattern large-diaphragm condenser microphone for more demanding professional studio recording applications. 0000007363 00000 n 0000006790 00000 n AKG P420; More AKG microphones; Mods for the Perception 420 . No responsibility is taken for the correctness of this information. Link AKG Acoustics on Youtube. The D5 professional dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. The frequency response of the P220 shows a bump in the lower frequencies, whereas the Perception 220 begins its … As condenser mics, they also deliver bright and crisp audio reproduction. 0000007385 00000 n 0000008354 00000 n Page 12 Frequency Response (cardioid) Polar Diagram Frequency Response (omnidirectional) Polar Diagram Frequency Response (figure eight) Polar Diagram This product corresponds to the standards stated in the Declaration of Conformity. The Perception 220, 420, 820, 100, 200 and 400 share the same capsule platform which is is one-inch, center-terminated and true condenser. P420 MSRP is $359, much lower than the older Perception 420 ($579). trailer << /Size 210 /Info 177 0 R /Root 180 0 R /Prev 309738 /ID[<4697ed26b3e8e7c3091e9ed0276b696b><63a10d21d4a4bd48a967c35940122d1d>] >> startxref 0 %%EOF 180 0 obj << /Type /Catalog /Pages 174 0 R /Metadata 178 0 R /PageLabels 172 0 R >> endobj 208 0 obj << /S 803 /L 984 /Filter /FlateDecode /Length 209 0 R >> stream 4[\\\�la� ��� �h H���zy9X���8�all1��䙎��-�-L���4���$������!} This is what makes it such a workhorse and fit for so many miking applications. fn�jܙ#�Kep��t���v`@�X����� �_� endstream endobj 209 0 obj 760 endobj 181 0 obj << /Type /Page /Parent 173 0 R /Resources 182 0 R /Contents [ 188 0 R 190 0 R 192 0 R 194 0 R 196 0 R 198 0 R 200 0 R 202 0 R ] /BleedBox [ 0 0 494.403 247.946 ] /ArtBox [ 0 28.884 494.403 247.946 ] /TrimBox [ 0 0 494.403 247.946 ] /MediaBox [ 0 0 494 248 ] /CropBox [ 0 0 494 248 ] /Rotate 0 >> endobj 182 0 obj << /ProcSet [ /PDF /Text /ImageB ] /Font << /F1 184 0 R /F2 185 0 R >> /XObject << /Im1 207 0 R >> /ExtGState << /GS1 206 0 R /GS2 205 0 R >> >> endobj 183 0 obj << /Type /FontDescriptor /Ascent 716 /CapHeight 0 /Descent -176 /Flags 32 /FontBBox [ -167 -215 1000 927 ] /FontName /GMIHNF+AXNBAA+HelveticaNeueLT-LightCond /ItalicAngle 0 /StemV 60 /StemH 50 /CharSet (/four/two/zero/period/P/l/e/a/s/r/d/t/h/m/n/u/b/f/o/i/g/q/p/exclam/V/z/c\ /v/quoteright/y/egrave) /FontFile3 204 0 R >> endobj 184 0 obj << /Type /Font /Subtype /Type1 /FirstChar 46 /LastChar 146 /Widths [ 240 0 0 480 480 0 480 0 0 0 0 0 0 0 0 0 0 0 0 0 0 519 0 481 0 0 0 222 0 0 0 722 574 556 500 0 537 0 463 537 0 0 0 0 0 0 0 0 0 0 0 0 0 444 481 463 0 0 0 222 0 0 222 740 481 463 481 0 315 426 278 481 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 240 ] /Encoding /WinAnsiEncoding /BaseFont /GMIHME+ELRBAA+HelveticaNeueLT-MediumCond /FontDescriptor 186 0 R >> endobj 185 0 obj << /Type /Font /Subtype /Type1 /FirstChar 33 /LastChar 232 /Widths [ 240 0 0 0 0 0 0 0 0 0 0 0 0 240 0 480 0 480 0 480 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 480 0 0 0 0 0 462 0 0 0 0 0 0 0 0 0 0 426 444 407 444 426 241 444 444 184 0 0 184 686 444 426 444 444 278 389 241 444 370 0 0 370 352 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 240 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 426 ] /Encoding /WinAnsiEncoding /BaseFont /GMIHNF+AXNBAA+HelveticaNeueLT-LightCond /FontDescriptor 183 0 R >> endobj 186 0 obj << /Type /FontDescriptor /Ascent 716 /CapHeight 716 /Descent 0 /Flags 32 /FontBBox [ -164 -216 1031 951 ] /FontName /GMIHME+ELRBAA+HelveticaNeueLT-MediumCond /ItalicAngle 0 /StemV 108 /StemH 86 /CharSet (/P/E/R/C/T/I/O/N/U/s/e/r/n/t/u/c/i/o/p/period/two/M/d/quoteright/m/l/one\ /four) /FontFile3 203 0 R >> endobj 187 0 obj 577 endobj 188 0 obj << /Filter /FlateDecode /Length 187 0 R >> stream

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