In Stock mode it emulates the preamp of a stock ‘68 Plexi. HIGH END / VERSATILE PLEXI PEDALS ($220-$350). Rothwell Hellbender – This overdrive pedal utilizes a multistage distortion circuit that helps it feel and sound like a real tube amp. A “brown sound” Marshall style overdrive, that can be pushed into distortion. Level and drive controls give you access to clean tones as well as gritty distortion. The LovePedal’s Purple Plexi lets access many different eras of Marshall Plexi tones via the responsive gain control and tone stock, letting you recreate those enormous tones at a whisper volume. The company’s Gain Cycle facilitates the creation of four scalable maximum gain settings. Look into the Bogner La Grange if you want a slightly hotter bit of grit – that’s what Bogner likes to do. They generally have a selection of the controls you’d expect to find on an amp head, including gain, master, and EQ controls. These pedals, so named because of the plexiglass on classic Marshall amps’ heads, are a budget-friendly and lightweight alternative to buying a plexi head and emulate the classic rock sounds of 1960s amplifiers. The mid-priced stompboxes in this section are somewhat new, having been released between 2014 and 2020. Well done by the author, Matthew Wang. 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Psych Rockers' Triptides, TEEN's favorite pedal: Eventide Pitch Factor. The Plexi-Drive Deluxe has true bypass, so you can guarantee transparency of tone and rely on it not to interfere with your sound when it’s not in use. $169 - This pedal is very similar to the Hot Rod Plexi listed above, but it includes a speaker sim so you can plug it into a DI box and record your guitar direct. Tonal boost toggles for a quick shift in bass or bright sounds. This extra bit of saturation and volume can make your solos stand out and sound even fatter and thicker. $189 - A drive pedal celebrating the 25th anniversary of Greenday's album Dookie, and the band's "dirty and punchy [guitar sound] with the perfect amount of articulation to express the musicality of his fast, melodic riffs.". $199 - Based on the company's similarly named 40-watt amp, this is a lower gain Plexi-Style pedal that offers a 3-band EQ and Presence knob for flexible tone sculpting, and an extra Tight switch on the side to increase punch. Joyo JF-32 Hot Plexi A pedal that responds well with a clean amp and gives you a classic distortion sound at a low price. Think of it like the sauce on a plate of food; the basic components are already there, but by adding one other subtle element the overall effect can be so much more pleasing. It can be powered via 9 or 18v DC adaptors, giving you extra options in terms of headroom and it can also be battery powered by a 9V. It's designed to deliver an organic distortion reminiscent of the early to mid-70s UK voiced amplifiers, cranked up to 10. with the tubes worn down just a little, and maybe a little "browning" of the sound with a Variac. Which era? It is a great backup option if your amp happens to break at a show or if you want a dual amp setup live but don’t want to lug around your Friedman Brown Eye 100 to your next bar gig. If you are looking for a little pedal that will work just like a mini amp, and you want maximum control, multiple tone-shaping / EQ dials will be an important part of this. The Xotic SL Drive is a high gain Marshall-voiced pedal that actually excels at giving you the sound of a JCM 800. It sounds fat and warm with a nice vintage sounding low end that’s not really tight but still has plenty of definition. There’s also a version with an extra boost circuit with its own footswitch. It can still be an aggressive effect depending on how you have the gain set, but it cleans up very well and responds beautifully to picking dynamics. The “Plexi sound” was so influential that it became the signature sound for Marshall, inspiring a lot of the company’s post-1965 production – here’s a video with a rather comprehensive overview of many different models belonging to the Plexi category. Did we forget something or posted incorrect information? The Mid Selector really helps define how present the guitar is in the mix and can get you from 70’s crunch a la’ Free or Led Zeppelin to Metallica or Megadeth scooped mid metal! Please post a comment and we’ll look into it! Ged is editor-in-chief and founder of Zing Instruments. Biyang DS-10 Max Distortion This Chinese stompbox sounds like a dying Marshall that is turned up all the way with tubes that are fighting to produce a blissful dirty tone. The Tone knob and two 3-way toggle switches (Tight and Mids) allow for a wide range of tone sculpting. Please use our affiliate links to Sweetwater, Reverb.com, Amazon, and the other independent stores – that’s what’s allowing to keep this site alive at no cost to you! You can keep them on throughout your set, or flick them on at will with the foot-switch. From Eric Clapton and Angus Young to Eddie Van Halen and Randy Rhoads, Plexi amp and their later, higher gain reincarnations from the JCM series have been used by many guitar players over the years and have defined the sound of iconic rock albums.

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