As a reminder, these licks are only played over one chord at a time, compared to every chord in a blues with the minor blues scale. You can even use it over major family chords if you’re careful. After you learn these minor blues box patterns, put on a backing track and use these scales to solo over chords and chord progressions in your studies. Why learning more than one scale pattern is beneficial. ©2020 onlineguitarbooks.com. All Rights Reserved. The minor blues scale has a lot to offer when you dig deep into this scale on the fretboard. Before you begin taking this scale to the fretboard, you learn how to build and apply the major blues scale to your solos. As well, you connect the 5th and 3rd-string minor blues shapes to expand them on the guitar. Start by playing A major blues over A7, then the A minor blues scale over the other chords. This page includes notation/tabs and scale diagrams for each position along the fretboard. The above scale can be extended into a 2 octave scale, as shown in the TAB below. Here are four one-octave shapes that you can work out in your guitar practice routine. After you learn these minor blues box patterns, put on a backing track and use these scales to solo over chords and, Once you have these longer scales under your fingers, put on backing tracks and, © 2020. If you only learn one minor blues scale lick, this is it. In this section, you learn how to build and apply the minor blues scale, how to play it on the fretboard, and give you three licks to apply this scale to a soloing situation. As you can see, both the major and minor blues scale run deeper than box pattern number 1. ≡ Menu. The 12-bar blues is a musical form that is the basis for countless blues, country, rock, and other songs. The blues scale, whether it’s major or minor, is one of the most widely used scales in modern music. These are phrases created by guitarists using the major or minor blues scale that are then used in songwriting or soloing. If you learn only one major blues scale lick, this is it. The major blues scale is built with the following interval pattern: Because this 6-note scale contains a major 3rd, it’s used to solo over dominant and major family chords. If you only study one fingering system for minor blues, this is it. As well, the b3 and b5 create a bluesy sound when applied to minor, major, and dominant family chords. Read on for a complete blues scale guitar lesson… What you’ll learn. If you already know about the major blues scale and would just like to know how to play it in five positions as well as the open position of C, read on. To begin taking this scale onto the fretboard, here are the 5 major blues scale box patterns. This makes the minor blues scale one of the most versatile melodic devices at your disposal. Now that you know how to build this scale, and how to apply it to chords, it’s time to take that knowledge to the fretboard. Often you feel like everything you play has to be new and different than what you played before. Move on to the other chords when you’re comfortable with A7 until you can hit each chord with the related scale. On the guitar there are 5 box patterns for the major and minor blues scales that allow guitarists to perform this scale over the entire guitar fretboard. You now combine the scale fingerings and lines from this lesson in a blues guitar solo. When playing blues licks of any kind, the rhythm is as important, or more important, than the notes. Start by soloing over a blues and target only one chord with the major blues scale at a time. The first minor blues scale lick features a classic bend and then two upper strings in the first bar. Once you have these longer scales under your fingers, put on backing tracks and solo over those chords in your studies. A classic blues lick; this minor blues scale phrase is a must know for any blues guitarist. The blues scale is a 6-note scale that contains 5 notes from the major or minor pentatonic scales plus one chromatic note. You’re now ready to move on to the major blues scale in your studies. The list of chords that you can solo over with the minor blues scale is long, and includes: As you can see, this scale is used to solo over most chords, making it essential learning for any lead guitarist. Again, the red note is the root, so it’ll tell you which key you’re in as you move this scale around the fretboard. You have a love-hate relationship with these scales, but they’re always there for you when you need them. To help you take minor blues scales into your lead guitar studies, here are three licks that use this scale over different chords and progressions. The line then ends with a slide up to the same note as you finished with in the first bar, A. Here you repeat a hammer-pull off phrase to start the lick, followed by a descending group of notes to end the line. As was the case with minor blues box patterns, you’ll end up learning all 5 major shapes and then settle on 2 or 3 favorites. Both of these concepts help you develop a mature sense of melody and phrasing with this, or any, scale in your solos. Matt Warnock Guitar Check them out and see how these essential melodic devices fit into your lead guitar vocabulary. This means that if you have a G major blues scale lick, you use that over a G7 chord in a blues solo. This is a common blues soloing technique, and one you can use to extend your ideas, as you don’t need two full ideas for two bars. 2 Octave C Major Scale Guitar TABs. Because of this, you want to work slowly when applying major blues scales to your solos. After you’ve worked out these shapes from a technical standpoint, make sure that you put on a backing track and apply these shapes to your improvisational studies as well. Apart from learning these licks, you also explore various ways to add repetition and development to your solos. Watch your timing on the first three beats, the triplets, as the slurs can cause you to play those notes unevenly. Because it’s such a popular lick across genres, it’s first in this chapter, and is essential to learn and add to your solos. This is a trick that guitarists use to repeat a note but make the tone slightly different each time. The minor blues scale is built with the following interval pattern: Because this six-note scale contains a b7, it’s used to solo over dominant and minor family chords. It is the most versatile of all the modern scales. The minor blues scale is built by adding a b5 interval to the minor pentatonic scale, forming the pattern 1-b3-4-b5-5-b7. After you can play this solo from memory, write out a solo or two using the shapes and licks from this chapter. The note in red is the root note, it tells you the key for any scale shape you’re playing. The minor blues scale is a staple concept for any lead guitarist to have under your fingers. Welcome Offer: 80% OFF on annual membership of Ultimate Guitar Pro Try Now Outside of the 5 box patterns there are one octave, two-octave shifting, and 3-note-per-string shapes that guitarists also learn when studying the blues scale. This is perfectly fine, explore them all, and then decide which shapes are best for you and your musical tastes. To begin, here are the five minor blues scale box patterns, the most common shapes for minor blues on guitar. It’s tough to get this scale into your lead playing, but it’s worth the work, as it gives you a new sound to use in your solos. When that’s comfortable, create your own major blues scale based solos in real time over backing tracks in your studies. These smaller scales help you navigate fast-moving chord changes, where playing two-octave scales are too bulky to play. Major and Minor Blues Scales – Guitar Tab and Essential Licks. C Blues fretboard fingerboard diagrams for piano guitar bass ukulele banjo mandolin tres violin viola cello upright double bass and chord tabs. Alongside the minor pentatonic scale, minor blues is often the first scale guitarists learn. Keep that in mind as you nail this, and all future licks in this eBook. Beyond studying box patterns, you can also work on one-octave minor blues scales to open up your fretboard. To open new minor blues scale doors, or start you off on your blues scale journey, this section tackles this important scale from new angles. These two scales provide years of study if you dig into their various fingerings, applications, and melodic variations. For example, in an A blues you can play the A minor blues scale over the entire song and it sounds great. It contains 12-bars and different chord progressions, but most contain I, IV, and V chords in various arrangements. When doing so, you connect the 6th and 4th-string minor blues shapes to form a larger scale shape. The minor blues scale may be the first scale you learn, but your exploration of this scale shouldn’t stop there.

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