The low cut off features a 18dB/octave at 80Hz setting or a smoother 6dB/octave at 115Hz setting. It also makes it useful for capturing sounds from expansive drum kits or from percussion groups. You’d love how it works wonders when used for choirs, acoustic instruments, or any application for small diaphragm condenser microphones. This mic is versatile and can be used in many different settings with many different types of instruments. It is best used for recording musical instruments due to its low frequency filter and extended frequency response. Make sure to place the mics above the cymbals If you want to remove emphasis from other parts of the kit. This makes it great for using live on stage or studio recording. It is an omni mic, that’s why you need a good room, as it will pick up unfavorable echoes like nothing else. That’s great because that’s what we’re here for! As an Amazon Associate we earn from qualifying purchases. This makes it perfect to use for stereo recordings of any acoustic instrument either on the stage or in the studio. The kit includes: Sennheiser e602-II kick drum microphone (1) Sennheiser e604 tom/snare drum microphone (4x) Sennheiser e614 overhead microphones (2) Use this Shure microphone with acoustic instruments, electric guitar amplifiers, brass and woodwinds, orchestras and choirs, room ambiance pick-up, and some low-frequency instruments. Overall, the mic allows for 27 different settings! Created by a large team of experts, so flaws are not overlooked, Does not perform as well against hard surfaces, Best for studio recording and use on the live stage, The ceramic coating creates a modern and sleek black matte black finish, The product comes as a pair which captures more detail, ensuring quality, Best used for situations where multiple mic placements are required, Can have a faint hiss when used with acoustic or quiet music, A cost-effective way to obtain high-quality sound, Versatile due to its durability and multiple miking uses for different forms of instruments. In the 60s and 70s however, Glyn Johns who engineered albums by The Who and Led Zeppelin pioneered a 3 mic drum recording technique where he’d simply use 2 overhead mics combined with 1 kick drum mic. No matter the price of your instruments and the skillyou possess, the sounds you create still might not sound as good as you’d like.It could be simply due to a bad drum mic. This mic is made with an ultra-thin 24 karat gold-layered low mass Myler diaphragm. The next up on our list is the MKII dynamic mic can handle … So, what’s the best mic for drum overheads? You could start by simply centering the overhead mics over the drum kit using an X/Y or ORTF pair (note: my first choice for this task is a large diaphragm cardioid condenser so that mic type will be assumed throughout this post. It has a quick response that has a good amount of bite whilst remaining smooth and controlled. For drums, they produce similar results and are perhaps better suited to picking up the whole kit than small diaphragm mics. Large diaphragm mics can sound more natural and less precise. Having unmatched microphones also has the chance of causing discrepancies in the sound. Nickel body creates durability. The 183 has a super flat response, it’s just supremely faithful to the sound it’s picking up. It has no roll off, no attenuation across any frequency. These are feature packed for a small diaphragm studio condenser. This mic has a warm and natural sound to it. In our opinion the C414 XLII are the best overhead drum mics for recording. Drums possess the most complex array of tones out of almost any instrument and as a result, recording them is a real challenge. Neither small or large is better than the other, it just depends on your preferences. This results in a minimized ambient room noise and signals from other potential monitors and instruments that could otherwise cause feedback. It is made from a durable ceramic coating that gives it a modern and streamlined look. It’s quite a niche mic for the price, but with Neumann’s legendary name attached to it and sublime engineering, it’s justified. Along with that, these will be produced together so they will easily work in singularity for better recordings. The mic’s ability to pick-up high frequencies with more-than-adequate brightness but not harshness makes it excellent for picking up cymbals. The Verdict: What’s the Best Overhead Drum Microphone? What you are going to need to remember is that recording drums are not an exact science. The only type of mics that see widespread use from drums is condensers and ribbon mics. These have a bipolar output buffer.Along with all of its other uses, it is also great for indoor use due to the tight cardioid pickup pattern. AKG Pro Audio C414 XLII (Editor’s Choice) An evolution of the legendary AKG C414, the C414 XLII is … The Cheapest Overhead Microphones for Drums. This becomes the most noticeable when the mic is closer to what you are recording. You also have the option to opt-out of these cookies. This is AKG’s answer to the overhead drum mic industry. These include omnidirectional, wide cardioid, cardioid, hypercardioid and figure of 8. There are many reasons that you should purchase a good overhead drum mic. This category only includes cookies that ensures basic functionalities and security features of the website. Some people don’t see the attraction of, whilst the Shure mic has the unique offering of multiple features packed into its small, high precision shell. The C214 large-diaphragm condenser microphone was designed to be a cheaper alternative to the high-end C414 family, while still creating the great performance that the C414 has. The Neumann KM183 is a quirky little mic that many people adore. This way you will not need to purchase another mics. You can’t record drums without them, it just wouldn’t work. Its uses include drum overheads, cymbals, acoustic instruments and live performances due to the externally polarized mic. Smaller pencil-shaped mics are small diaphragm mics and they’re generally accepted as more precise. You can even select between these patterns, though, combining two polar patterns. The modern drum mic set up takes advantage of many purpose-built mics. How to Pick the Best Overhead Drum Microphones. One of the top selling features of this mic is its plethora of controls. It’s part of Neumann’s 180 series and is supplied in either nickel or matte lack in a wooden box with a quality clip and windscreen. They don’t usually have as much of a sonic character as large diaphragm mics, though. You can have the highest quality instruments on the market, but if your overhead drum mics do not match that quality, you will still not get a great sound. https://bringinthenoise.com/best-mic-for-rap-vocals/. This Samson Microphone has you covered.It can cater to multiple placements and this includes percussion instruments such as overheads and cymbals, as well as stringed instruments like violin and guitar. It can also withstand levels of high sound pressure. All of these cause variations. So, without further ado, let’s look at the 4 best overhead microphones for drums: An evolution of the legendary AKG C414, the C414 XLII is a widely recognized beast of a microphone that can handle almost every audio source with exquisite ease. They pick up cymbal sounds with a smoothness that doesn’t get overly washy or shrill when they’re played hard. Great for studio recording and live performances. The 183 is an omnidirectional condenser, meaning it’s best suited for mic duties in well-treated rooms which sound good a whole. It’s just one digit away from the KM184, which is a cardioid mic and the 185 which is a hypercardioid. The modern drum mic set up takes advantage of many purpose-built mics. Shure KSM137 This stereo condenser microphone is specially designed for studio purposes, but … This ensures you are getting the finest product. Easily portable due to the included carrying case and mic clips, the C02 is great for situations where multiple mic placements are required. It will reduce the precision of your stereo image though. Combining hyper-cardioid with figure of 8 is interesting! It’s warm, natural, rich and open.

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