The SM57 is often used as a snare drum microphone, as it rejects noise very well from the hi hat. Although a small-diaphragm condenser mike could be used on the top of the snare, multi-purpose dynamic mikes such as the Audix i5 and ever-present Shure SM57 are most common. Micing a snare drum requires balancing between tone, isolation, and the practicality of how drummers play. One very prevalent school of thought goes like this: “One SM57 over the snare. For live drum mics, it doesn’t get much better than these. The comes to the difference in choosing microphones for recording vs. live sound, it’s a case of getting the perfect tone vs. creating an inspiring performance! It sits right in the center of the mix, below or above the vocals, depending on the style of the music. Shure PGA56-XLR. If a drummer informs me in a nice way that he likes xxxx mic on his snare, i'll try it out and even let the drummer hear the a/b with a 57 in the control room while getting sounds, going with … Good luck. Sennheiser MD 421 II Cardioid Dynamic Snare Drum Microphone Review. A professional quality snare mic that evokes a sense of confidence and pleasure … The kick and snare on a track or live setting are the most important of all the drum sounds. This Mic Placement Guide can be used as a starting set-up no matter how big the room is or if you are indoor or outdoor. They sound great! Start here. Next up on our list we have this Sennheiser MD 421 II Snare Drum Microphone that truly excels as one of the best snare drum mics for live and in the studio, and being one of the best-known microphones in the world. If you go to gigs a lot, you know how important your live kick drum sound is.. That’s why choosing the best kick drum mic you can afford can make a huge difference to your live sound.. Distance. Choosing a snare mic. I only use SDC's on snare for jazz or classical-style music, but when I do, I prefer SM81, a nice flat response, handles the SPL, and a bit "slower" sounding than many more modern designs, which suits my ear better on close-mic'd snare. These cymbals are often very close to the snare drum, so isolation is key. Done.” The Shure SM57 is pretty much the de facto standard for snare in live and recording applications. This microphone makes your snare drum sound beefy, meaning it’s great for lower tunings. Subjective of course. Occasionally, a D1, D2, or D3 will get used on top, depending on the snare and desired sound. Many drummers like to get a low and fat sound with their snare and the M 201 works well for that. The following guidelines will get you started: 1. While there are lots of new contenders, there’s something nice about the low-end punch … Placed 3 ” up-just off the edge-tilted towards the Center. In order to capture the complete snare sound, place the mic a good 4 inches away from the snare to ensure you capture the whole drum sound. Until you’re rocking the world playing arenas and touring by bus, this set of drum mics won’t let you down. Even though these are not expensive mikes, they are equally at home on the stage and in the … One Plus One Equals Two Miking the kick and snare is perhaps the most common live setup using just two microphones. There are almost as many snare mic preferences as there are engineers and snare drums. Distant miking is the practice of recording a sound source from a distance away. The kit includes: Sennheiser e602-II kick drum microphone (1) Sennheiser e604 tom/snare drum microphone (4x) Sennheiser e614 overhead microphones (2) In this article, I’ve outlined some mic placement techniques that will help focus in on capturing specific sounds when recording a snare drum. Bottom Snare Mic. The Snare Drum- Use an SM57 Dynamic Hyper-Cardioid Microphone for classic Live sound. The recording of a snare drum is the focal point of every modern recording. Snare Drum Mic Technique. I think the snare is the most important out of the two – at least it’s the harder of the two to achieve a good sound. This snare drum micr has excellent qualities that deliver balanced, articulate and crisp sounds. Transformer seems to help also. The Beyerdynamic M 201 TG is a low-profile dynamic condenser that works for snares as well as toms, making it a versatile option. The question I’ve recently explored is whether or not the snare bottom mic …

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