The numbered notes are those that might be used when building this chord. Or put another way, the fourth note of the original 6th chord (in root position) is now the note with the lowest pitch. The major chord names are written in sole letters like C, D, E and so forth; otherwise, the abbreviation for major in chord names is maj.Besides the main chord category, there are also Major 7th chords (maj7), Major 9th chords (maj9) and Major 6th chords (6) among others. The figured bass symbols for this chord in root position are 6/4/2, so the chord is said to be in six-four-two position. The figured bass symbols for this chord in root position are 6/4/2, so the chord is said to be in six-four-two position. The 3rd note name - G#, is used, and the chord note spelling is 3. Below is a table showing the note interval qualities for the most common 6th chords, together with the interval short names / abbrevations in brackets. For a 3rd inversion, take the first note of the 2nd inversion above - B, and move it to the end of the chord. Explanation: The C major sixth is a four-note chord. The final column shows the triad chord quality that the 6th chord is based on, so the 2nd and 3rd note quality columns are the same as the triad table for the same key. Both major and minor chord qualities are built on the triad chord in the same key plus one added note - the 6th note of the major scale in the previous step. The E major 6th 2nd inversion contains 4 notes: B, C#, E, G#. The major scale uses the  W-W-H-W-W-W-H  note counting rule to identify the scale note positions. Thus in C, it contains the notes C, E ♭, G, and A. The chord consists of a minor triad with a tone added a major sixth above the root. Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. So the second note of the 1st inversion - note B is now the note with the lowest pitch for the 2nd inversion. Looking at the table above, the note intervals for the chord quality we are interested in (major 6th), in the key of E are E-maj-3rd, E-perf-5th, and E-maj-6th. C6 chord for piano with keyboard diagram. This step identifies the note interval numbers of each scale note, which are used to calculate the chord note names in a later step. The E major 6th 2nd inversion contains 4 notes: B, C#, E, G#. These note names are shown below on the treble clef followed by the bass clef. The Lesson steps then explain how to construct this 6th chord using the 3rd, 5th and 6th note intervals, then finally how to construct the inverted chord variations. To build a minor sixth chord, combine the root, flat third, fifth, and sixth of the major scale. Note that Cm 6 has the same notes as F 9 with the root omitted, i.e. C6/A is identical with Am7. Explanation: The C major sixth is a four-note chord. The E major 6th 3rd inversion contains 4 notes: C#, E, G#, B. For example, the 7 represents note B, from the C#-7th interval, since the lowest (bass) note of the chord - now inverted, is C#. The links above explain in detail the meaning of these qualities, the short abbrevations in brackets, and how to calculate the interval note names based on the scale note names from the previous step. C Cm C7 Cm7 Cmaj7 CmM7 C6 Cm6 C6/9 C5 C9 Cm9 Cmaj9 C11 Cm11 C13 Cm13 Cmaj13 Cadd C7-5 C7+5 Csus Cdim Cdim7 Cm7b5 Caug Caug7. The A major chord vi is the F# minor chord, and contains the notes F#, A, and C#. Although others exist, the most common 6th chord qualities, are major, and minor. For a 2nd inversion, take the first note of the 1st inversion above - G#, and move it to the end of the chord. These note names are shown below on the treble clef followed by the bass clef. In the same way that the entire chord itself has a chord quality, the intervals representing the individual notes within that chord each have their own quality. In the same way, the figured bass 4 symbol represents note E, from the B-4th interval, and the 2 symbol represents note C#, from the B-2nd interval. The 5th note name - B is used, and the chord note spelling is 5. Major chords are the most common chords for the piano and other instruments.

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