miking hi hat sm57
KICK DRUM For most people, miking the hi hat is often, at best, an afterthought and, at worst, completely ignored. ... Shure SM57. The Shure SM57, a popular choice when miking a snare drum, can be angled to achieve some hi-hat rejection. I don't have the money to buy another sm57… When a mic is needed on the hi-hat, a small diaphragm, or “pencil”, condenser can be placed above it at a distance of 3–4″ (see Fig. But I would recommend the Drum Mic Kits that include everything you need to get your kit miked on stage with fairly good quality. For more information see How To Mic A Drum Kit. Try to use a good hi hat stand to avoid unwanted noises. 138). My problem is...i want to mic my floor tom. SOS Forum Post. For the money this is the best hi hat mic because it is an affordable yet high quality condenser microphone that is very neutral sounding and … The most important aspect of miking a Hi-Hat is that the diaphragm should be pointed the source; Position the Mic on the outside edge of the hat will isolate the sound of the hat … High Hat Techniques. Just like any other microphone, sound quality is determined a … The top SM57 was angled almost flush with the skin of the top of the snare, I also attach a piece of material like memory foam the mic stand of the top snare mic to block hi hat bleed, and it does this very well. A common microphone laying around any studio, I figured I … I have a condenser on the hi hat, sm57's on the two rack toms and snare, kick drum, and my rode nt1a as an over head. I’ll probably make a couple of adjustments…I’m trying to still get the smack, but I’m also trying [to place the mic so that] it rejects sound from back here,” Jae remarks as he motions to the area in the null spot of the SM57… Kick Drum, Snare, Toms, Hi-Hat, and Cymbals are all there and … “Nothing special going on here…[Shure] SM57 on the snare. This is a more expensive snare drum mic than the Shure SM57 but this is a beautifully designed and seemingly indestructible microphone … As shown in these polar pattern plots, the mic effectively turns into a hypercardioid over around 4kHz, so you should bear this in mind when aiming the nulls. The pickup pattern effectively rejects bleed from the hi-hat and toms effectively whilst it is able to draw out immense body and depth from the snare drum. Jae opts for another timeless Shure dynamic microphone for the snare. Use them on the cymbals and Hi-Hat where those frequencies matter. What Makes a Good Hi Hat Mic. haha. Now that you know what to look for in a hi hat mic and how to position, now you need to make sure you know what makes a good mic. For an isolated, non-bleed close-mic setup, choose a microphone with a cardioid or supercardioid pickup pattern and have in mind that the hi-hat has extremly fast transients; so a good condenser microphone like the 4011A Cardioid Microphone, the 2011C Twin-Diaphragm Cardioid Microphone, Compact or the 4099 Instrument Microphone would be all be a great choice. I am miking my drum set. In many cases it is unnecessary to mic the hi-hat as it is often very present in the overheads. Sm57 on top and bottom. All I have left is my behringer XM8500, a pencil condensor, or my large diaphram behringer B1. Sentence Three: Glad everyone’s back with us. This microphone is one of the best hi hat mics because it is able to capture the nuances of hi hat cymbals with a good level of detail and realism. The bottom snare mic was just angled and pointing at the snare rattle thingy. Hi hat miking is the red-headed stepchild of drum miking in the studio.
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