Share ideas. Pär Svensson is a recent graduate from Berklee College of Music and works as a freelance musician in the Boston Area. Assuming that all music either is in a major or minor tonality/modality will give us four possible scenarios for modal interchange: The most common way to embellish a major key is to borrow chords from some kind of parallel minor. Although this might be true for some lucky individuals, such as Mozart, most of us rarely get to experience this. A parallel scale is any scale that starts on the same pitch. Make sure that there is no conflict between the melody and the chords. More often than not, we tend to get stuck or run into problems when composing. Chances are pretty good that you’ve already been using some form of modal interchange, without even realizing it. This could lead to an unwanted modulation or create an ambiguous key center. A good melody, chord inversions and orchestration could make it part of a great tune. Natural Minor (Aeolian) has four notes in common, Phrygian has three, and Lokrian only has two. At a harmonic level however, it is fairly boring and will tend to sound a little too predictable. These are chords that contain the b6 scale degree, the minor 3rd of the subdominant minor chord (e.g. To put it simple, modal interchange is the practice of temporarily borrowing chords from a parallel tonality/modality without abandoning the established key. The table below lists all possible modal interchange harmonies available from the diatonic modes: Another class of modal interchange chords falls under the heading of Subdominant Minor. Diatonic Modal Chords What? Design, code, video editing, business, and much more. Bb and Eb of C-7 are not part of G Major and this reveals that the modal interchange chord must have been borrowed from some kind of parallel G scale with a b3 and a b6 scale degree. Until next time, try experimenting with the chords from the diagram of the 7 harmonized modes. So how do you chose your source scale and why does it matter? Finally, here are several general guidelines to keep in mind when using modal interchange: Envato Tuts+ tutorials are translated into other languages by our community members—you can be involved too! Memorize All Following Modal Interchange Chords. An example of parallel tonalities would be C Major and C Natural Minor. e.g. Borrowed chords have typical inversions or common positions, for example iio6 and iiø65, and progress in the same manner as the diatonic chords they replace except for ♭VI, which progresses to V(7). Why? Because the tonic pitch remains the same with modal interchange, it isn’t considered a key change. Keep in mind that modal interchange chords can be used in different ways. Trademarks and brands are the property of their respective owners. Looking for something to help kick start your next project? I especially want to make this clear, because the terms relative and parallel tonality have contrasting meanings in different parts of the world. Following list covers all the modal interchange chords used in major keys. First things first. This is an extensive list that will give you plenty of options for creating new and interesting colors when composing. In the best of worlds all music would simply write itself. It will take much of the guesswork out of the equation and allow you to keep on composing, even when you don’t have that cosmic connection and things are just “pouring out of you”. Because the root of the mode must be constantly reinforced as the tonic. I’ve also given you the chords in three common keys – C, G and E for major keys, A, D and E for minor keys – so you can use them pretty much out of the box. The advantages of learning characteristic modal chord progressions are similar to the advantages of being able to recognize keys, scales, modes, and other compo- nents of music. Major and minor compositions can have long series of chords, but modal progressions usually just have one or two. So do modes. Having written this article, I disagree with such an attitude. Ab is the minor third of F-7). Major and minor scales have diatonic chords. So where in the world did that IV-7 chord in bar three come from? This chord does not change the overall key of the chord progression, but it does bring a change of character and added interest to the third bar. [2], "Modal Interchange in La Fille aux Cheveux de lin by Claude Debussy", "Modal Interchange Examples in the Music of Stevie Wonder" part 2, "Altered Chords in Jazz: Modal Interchange 0 –Altered Chords", https://en.wikipedia.org/w/index.php?title=Borrowed_chord&oldid=981266185, Creative Commons Attribution-ShareAlike License, This page was last edited on 1 October 2020, at 08:33. This technique has been around for centuries and is well established in most genres, including rock, pop, jazz and classical music. Download & View Modal Interchange Chord Scale List as PDF for free. The Natural Minor key for example, inherently relies on modal interchange to create a strong dominant cadence. By Desi Serna . [11] In popular music, the major triad on the lowered third scale degree (♭III), the major triad on the lowered sixth scale degree (♭VI) and the major triad on the lowered seventh scale degree, or "flat seven" (♭VII) are common. Make sure that the original key is clearly established. Furthermore, each mode has characteristic chords that sum up its unique sound. The given chord progressions showcase how the modal interchange is typically most commonly used. Below is a diagram of the parallel functions of all 7 modes of the major scale. Adobe Photoshop, Illustrator and InDesign. [1] The ♭VII–I cadence with ♭VII substituting for V is common, as well as ♭II–I, ♭III–I, and ♭VI–I. Modal interchange, sometimes called modal mixture, is a guitar technique through which you combine chords from parallel scales. An excellent way to spice up your creations would be to familiarize yourself with the concept of modal interchange, also known as modal mixture. Listen to music: Listen for the chord progressions being used in all styles of music. This is an excellent place to start looking for a source to our IV-7 chord. Generally, modal chord progressions don't wander around too much. For example, the A major scale and the A minor scale are parallel. Modal interchange is a system that helps us to create interesting and musically relevant chord alterations. Here are four quick, practical reminders, especially if you’re just starting out: • Slash chords – like F/A – mean the first chord is the actual chord, the second note name

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